My bees are clustered in the hive – I’m hoping they’e got enough honey stored away and the varroa mites aren’t too bad and my makeshift insulation keeps them warm until March.
That might be too much information for non-beekeepers, but you can use it as a metaphor. That is – I hope you’re hunkered down for the dark days of winter, because here they come.
We had a really nice Thanksgiving with family – hope yours was a good one. I watched my son Dylan, the arborist joyfully help his cousins climb high up into trees, and wondered how busy the emergency rooms were on Thanksgiving day. He tried to get me to go up there. Next time, I said.
This past week has seen the completion of two big projects. First, I just completed a short run of An Iliad by Lisa Peterson and Denis O’Hare at the Burbage Theater in Pawtucket, RI. More on that below. I also just put the final touches on a book of kind of dumb ghost stories (haven’t figured out how to say that yet – I have been advised not to use the word “stupid”) that will come out, well, sometime in the future. But there’s a great story behind all of this. Really! Keep reading!
How Hanging In There Pays Off in the Long Run
I wrote a book of dumb ghost stories about fifteen years ago. I liked them. An agent shopped it around and got no takers. Who knows why? I have my theories, but they’re just opinions and not worth mentioning. The stories sat ignored on my computer, or hard drive, or cloud, or wherever neglected digital words hide, hoping they might someday live.
For fifteen years.
Then – as I mentioned in an earlier e-mail, I find an agent. I need an agent because my last publisher doesn’t want the books I’ve written. I’ve never had success with agents, other than the one I happen to live with. (Thank goodness.)
An old editor of mine, who is a dear friend, informs me that another one of my previous editors, is now an agent. Re-enter my pal, Nicole Geiger, who is now my agent. She looks over all the detritus I’ve written and says, “This one!”. She submits it to a bunch of people, INCLUDING THE EDITOR THAT SUGGESTED HER! In short order, Anne Hoppe, editor extraordinaire at Clarion (editor of The One and Only Ivan, if you’re wondering if she’s any good), buys the book.
Suddenly, two old friends are my agent and editor.
See what happens if you hang around long enough with smart people?
Raked over the coals in the editing process by both of them (hyperbole), the book is both scary and funny. And doesn’t have a title, since I always fight over the title of my books.
Who knew? So happy.
What’s Your Favorite Game?
Over the years, our families have played a lot of games. I’m amazed at the number of games there are. Every other week we hear about another. Let us know what you love playing.
Here are some of our current favorites:
Sequence – is great for a lot of people – again a lot of kibitzing is allowed, and you play in pairs or trios – good for two to twelve people
Oh Hell (or “Oh Pshaw”, if you were taught by a grandmother who thought the word “Hell” was not to be spoken) – this is our go-to card game with friends and family – you need three at least, and can play with up to six people – maybe more. I love this game. https://bicyclecards.com/how-to-play/oh-pshaw/
And finally, I must say my FAVORITE parlor game is “Four on the Couch”. You need at least eight people, divided into two teams, and while you can make up your own rules about teams, we usually divide between men and women, with gender switching completely allowed. This game is hilarious and convinces anyone over forty that early onset dementia is occurring. Here are the rules….
Four on the couch
At least eight people are required for this game, though more is optimal.
Divide groups into two equal teams. Often, we divide by gender, or just designated teams (reds vs. blues), or had the older folks versus the younger folks. If you are uneven by one, the advantage will definitely go to the larger group. (In our experience, fewer women have sometimes defeated more men, just saying…)
Sit in a circle of chairs and designate four adjacent chairs as “the couch”. (A couch is fine, too!) Two people from each team sit on the couch. Initially, it is best to alternate team members around the circle, though this won’t last.
The object of the game is to get four members of your team on “the couch”.
Everyone writes their first name down on a slip of paper and puts it in a hat. If two people have the same first name, include the last initial. Each person draws a name from the hat. If one person draws their own name, then redraw. YOU CANNOT HAVE YOUR OWN NAME.The name you draw is now your name for the game. DO NOT SHARE WITH OTHERS!
The person to the right of the couch begins (doesn’t matter where you start, really). That person calls out the names of two people – “Debbie switch with Bill”. The person who is “Debbie” (not the real one) switches seats with the person who is “Bill”.
You may NOT call the name you have been given. You have to move other people, not yourself.
The person in the seat to the right of the seat that just chose now takes their turn. It doesn’t matter if a person just sat in the seat. You go clockwise around the circle. Once you understand what someone’s name for the game is, you try to get your team on the couch by moving the other team’s members off it and your team member on it. NO COACHING!!!!
When four members of one team are on “the couch”, that team wins.
– Play it this holiday season! And let us know what you think.
The Cost of War and Afghan Immigrants
Having just finished another run of An Iliad, I’ve given a lot of thought to its message. In the retelling of the Trojan war, the play centers on the themes of rage, loss and grief. (I know, some of you are foggy on the story – that’s okay – just keep reading!) Rage drives Achilles, first to stop fighting because he feels he’s been belittled, and then to mercilessly kill Hector for killing Patroclus. While we want to deny that we would never do anything horrible ourselves, one of the points of the play is that in the wrong place at the wrong time, we’re all capable of doing something terrible. It’s an uncomfortable truth – but in recognizing it, we gain compassion for all humans. Saying “I’m not like them”, gives us permission to deny someone’s humanity. When we know we’re all in the same boat, we look at things differently.
Achilles, Hector, Patroclus – all the “heroes” in the war – are deeply wounded and flawed, and if they were around today, we’d identify their actions as coming from post-trauma stress disorder.
I did talkbacks after every performance of the piece. Some of the most moving responses came from military veterans who attended the show. They, as a group, connected with the characters in the piece in ways I could only guess at. Fighting for a lost cause or in a meaningless war, leaving family behind, losing comrades, experiencing rage and blood lust, and carrying all that with them for the rest of their lives were all things the veterans spoke of in the talkback. One spoke about how he brought back a rage that he had to manage every day. We all have some trigger for rage (and men, I think, particularly with our extra dose of testosterone), but veterans carry a particular burden. A burden placed on them by the orders they’ve been given.
Our culture doesn’t know what to do with these folks. Saying “Thank you for your service” while cutting veterans benefits seems particularly hollow. It’s lip service. What we don’t want to do is hear their stories. They’re too hard to hear. If you want to think more about this, I highly recommend Sebastian Junger’s little gem of a book, Tribe.
And then there’s the grief and sorrow of those who have lost ones they love – Achilles’ loss of Patroclus, and Hector’s wife Andromache and mother Hecuba wailing in grief over his death. It happened in ancient Troy, and it’s happening here, too. It’s all hard to take. But as Elizabeth Ellis, a great storyteller said, “If they went through it, we can at least look and listen.”
Which brings me to the events of the past several weeks. When I read about the Afghan immigrant and the shooting of National Guard soldiers stationed (for show) in DC, I see the war come home.
There’s probably not much sympathy for Rahmanullah Lakanwal, who shot the Guard service people, but when you read about him, you find a person who committed atrocities in our name and was traumatized by a war, endangered in his own country for actions he committed, then finding himself lost in a foreign country, ready for something to trigger his PTSD. Other soldiers have done the same thing here after they returned, but they were Americans. To blame it on a nationality, deporting all Afghans, is the height of hypocrisy. As V.S. Naipaul said, they are here because we were there. You might as well deport anyone who fought in our wars overseas regardless of nationality, because there are thousands of them out there lost, wounded, and ready to be triggered.
I wish the Iliad weren’t so timeless, but it is. Every performance of An Iliad brought that home to me. It would be good to have leaders who understand the cost of this violence, not ones who give orders to bomb a boat twice to make sure everyone is dead. I’m thinking of the drone operator who got the order to finish off the job. It’s a terrible burden to carry, and the cost of it, what they’ve done in our name, is passed on to all of us.
Yearly poems
Every Christmas, for over twenty years, I have written Debbie a dozen or so poems to put in her Christmas stocking. I did this once, on a whim, all those years ago. She loved it so much, I foolishly did it again, and now, each December I try to come up with a dozen more. They are about our ordinary lives and very small things – our home, our friends, our work, our family. Oh, yes, and our dog. it’s terrifying to start each year, wondering what will come out. So, here, with Debbie’s permission are two poems from years past about very small things. I wish you a safe and happy holiday, my friends
I.
They’re all in their place
Waiting for her!
Each utensil has its own part to play
Saying “Use me! Use me!”
Wooden spoons, slotted spoons
Whisks and tongs tune themselves
The onions are patient in their bin
Knowing their entrance will come
The garlic cellar has but five cloves left
And hopes it’s enough
The spices talk among themselves
Practicing their harmonies
The refrigerator hums like the bass section
Long whole notes that guard the
Score of ingredients hoping to be used
The sauce pans discuss who will play
And who will sit out this performance
And so she enters and they hold their breath
Expectant
Waiting for her to lift her hand
The kitchen is a song she loves to sing
II.
How dare we believe this?
What we hold dearest,
What we are most afraid to believe
Is true –
That love is real
Longer than hate or unkindness
And though the virtue of patience
Seems foolish in the moment
When action is screamed for
This is what she does
Plays the long game
Trying to tune her life and breath
To the truth underneath the noise:
Love wins
From the Office
For the holiday season all USBs are $40!!! Typically $50 each, each USB contains 7 Albums on one tiny device.
Visit bill-harley.myshopify.com/collections/usbs to purchase now.
Please note that if you want these to arrive by 12/25 the orders should be placed no later than 12/16/25.